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this track is so cool

like i said, i wanted this and the previous one to have STYLISTIC DIFFERENCES that amounted to actual arrangement work on my part. basically there's two harmony / rhythm / backing whatever tracks in the center, and they're really loud, because they're super quiet usually, and you're like,

whoa i didn't know this song sounded like this!!

well that's because it didn't until now

anyway on the left i used the US melody square because it DOESNT go up an octave after the intro, which i thought with the increased tempo and focus on rhythm, made the track sound a lot more Dangerous Dave.

fun fact the right channel harmony part is present in the previous track but way in the background. this has the effect of adding a little bit of texture and it serves as an extended delay of the melody (several of the notes from the melody are in it, and at like just the right place. it's not actually attempting to be a delay, it's just a really cool coincidence)

ok anyway this track had a lot lot lot of work done to it because this track was my baby and is my best work aside from, like, anxiety? idk. it used to clip. it doesn't anymore. turn your system up or face unto bloodshed.


[to the tune of thrift store] this is fucking, cool.


from CVIII no Densetsu or whatever, released December 19, 2014
everybody - everything




Kirby Pufocia Harrisburg, Pennsylvania

hi i play guitar and also the DS!!! (she/her)

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